It felt like an eternity waiting for the sophomore release from Silhouette Brown. And boy, was it worth the wait! Silhouette Brown is the musical masterminds of Kaidi Tatham (Agent K, Bugz In the Attic), Dego (2000 Black/4Hero, DKD), co-writer and producer Bembe Segue, and silky soul Philadelphia-native singer, Lady Alma (known largely for her work on 4Hero’s “Hold it Down”, Soul Dhamma’s “Happy” and Sylk 130’s “When the Funk Hits the Fan,” to name countless club classics she’s sang on over the years).

The album two brings us the first full recording from Lady Alma, displaying her vocal versatility where the warmth of her voice shines through on every note; the production on two seems created just for her. Just beautiful.  two has a more soulful appeal than the debut Silhouette Brown release, however, the arrangements still contain the future soul sounds we expect to hear from Dego and Kaidi, with funk inspired basslines, scatting keyboards, and thumping drums, still ever present. Clever songwriting in care of Lady Alma and Bembe Segue and Dego, and the pleasant surprise of Sadat X appearing on “Get With It,” two is timed perfectly to turn up the heat on your cold nights. Not sure why Deborah Jordan doesn’t appear on the album, but with Lady Alma as the replacement — we’re more than cool de la with the union.

Listen to a couple of songs below and let me know what you think of Silhouette Brown’s return. two can be purchased at 2000 Black’s website. So get it!

“Casualties of Honey”

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“Strawberries in Vinegar”

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Making the rounds to promote Joy Jones’s debut album, Godchild with Bugz in the Attic producer Daz-I-Kue, the audience were eating out of their hands. Daz-I-Kue definitely brought a taste of London to New York, with his signature future soul sound. Opening her stage with the first song off her album, “Joyride” which uses the always interesting sample of “Space” by Galt McDermont (Hair composer), Joy Jones took control with her backing vocalists in tow. It’s always refreshing to attend shows where the artist takes the time to talk to their audience, posing questions  to make you think. Joy’s burning question was, “Who’s experienced real love?” Sadly, there wasn’t a wave of cheers, but more an admiration of the love she was declaring for her husband, who was busy videoing the show on his camera. Godchild certainly has stretched Daz-I-Kue as a producer, with his used of smooth soul/jazz sounds fused with African tremors, clearly keep future soul alive.

Joy Jones is no stranger to the genre either. Originally from Los Angeles, and raised by West Indian parents, she attended Duke University where she studied biology and cultural anthropology, then moved to London and attended the University of London to study medical anthropology and found her ground in music with Bugz in the Attic producer Daz-I-Kue. Godchild is a labor of love, where Joy explores her heritage and her personal experiences through her music, coupled with a production that flows seamlessly.

With a tight band and energetic background singers, the crowd swayed and sang along as she gave us a taste of her own personalized joy. I highly recommend you see her when she comes to your town. Check out some of her songs below and make a stop over to iTunes and get yourself a copy of Godchild from Future Soul Records.

“Promise Land”

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“Hollywood”

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